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A Song of the Sons of Korah

1–3  46 God is a safe place to hide,

ready to help when we need him.

We stand fearless at the cliff-edge of doom,

courageous in sea-storm and earthquake,

Before the rush and roar of oceans,

the tremors that shift mountains.

Jacob-wrestling God fights for us,

God-of-Angel-Armies protects us.

4–6  River fountains splash joy, cooling God’s city,

this sacred haunt of the Most High.

God lives here, the streets are safe,

God at your service from crack of dawn.

Godless nations rant and rave, kings and kingdoms threaten,

but Earth does anything he says.

Jacob-wrestling God fights for us,

God-of-Angel-Armies protects us.

8–10  Attention, all! See the marvels of God!

He plants flowers and trees all over the earth,

Bans war from pole to pole,

breaks all the weapons across his knee.

“Step out of the traffic! Take a long,

loving look at me, your High God,

above politics, above everything.”

11  Jacob-wrestling God fights for us,

God-of-Angel-Armies protects us.

MSG

About The Message: The Bible in Contemporary Language

Many people assume that a book about a holy God should sound elevated, stately, and ceremonial. If this is how you’ve always viewed the Bible, you’re about to make a surprising discovery. The Message brings the life-changing power of the New Testament, the vibrant passion of the Psalms, and the rich, practical wisdom of Proverbs into easy-to-read modern language that echoes the rhythm and idioms of the original Greek and Hebrew. Written in the same kind of language you’d use to talk with friends, write a letter, or discuss politics, The Message preserves the authentic, earthy flavor and the expressive character of the Bible’s best-loved books. Whether you’ve been reading the Bible for years or are exploring it for the first time, The Message will startle and surprise you. And it will allow you to experience firsthand the same power and directness that motivated its original readers to change the course of history so many centuries ago.

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Copyright 2005 Eugene H. Peterson.

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